Their Eyes Were Watching God | Analysis

Their Eyes Were Watching God | Analysis Hurstons â€Å"Their Eyes Were Watching God† presents several themes such as speech and silence, love and marriage, and finally gender roles. Zora Neale Hurston does an outstanding job of instituting what men such as Joe Starks believed were the standard roles for the African American female. Hurston pertinently described Janie through her relationship with Joe, the metaphoric value of the mule, and her dialogue as a woman of strength, not concerned with the ideals of her white female counterparts, sitting up on a high chair and overlooking the world. Janie desired a greater purpose. In Hurstons â€Å"Their Eyes Were Watching God†, men and women inhabit separate roles. Not only are the women portrayed as the more fragile sex, Hurston essentially defines them by their relationships to and with the men. Thus, marriage is paramount in this story. The message sent here is that women can and do only obtain power through marrying powerful or, at least, motivated men. By the use of tradition, women are limited to the confines of positions of piteousness, passiveness, domesticity, and of course as sexual objectivity. The men consistently silence the womens voices, limit their actions with proprietary notions and insult their appearance and sexuality. In contrasts, when the women exhibit any traditionally male characteristics such as authority, intelligence or ambition, men deem them as unattractive and masculine. The male characters set out to prove to their peers that they are masculine by showing their wives who is in charge. This was not always due to personal desire, but also by society and at large as well as environmental pressures. The author immediately introduces the female perspective. In â€Å"Their Eyes Were Watching God†, Hurston celebrates Janie as an artist that enriches Eatonville and details her self-discovery. Without delay, on first page of the book, Hurston substantiates the contrast between men and women by initiating Janies quest to reach fruition of her own dreams and presaging the female quest theme throughout the remainder of the novel. Now, women forget all those things they dont want to remember, and remember everything they dont want to forget. The dream is the truth. Then they act and do things accordingly (Their Eyes Were Watching 1). As a Black woman, Janie asserts herself beyond expectation and the persistence that she consistently shows characterizes her unrelenting quest for true love—the kind she dreamed of as a child. She is aware of her status in society, but is unwavering in her determination to disregard it. Anyone or anything attempting to encumber Janie from her mission for happiness annoys her. â€Å"So de white man throw down de load and tell de nigger man tuh pick it up. He pick it up because he have to, but he dont tote it. He hand it to his womenfolks. De nigger woman is de mule uh de world so fur as Ah can see, opines Janies grandmother in an attempt to justify the marriage that she has arranged for her granddaughter† (Their Eyes Were Watching 14). The excerpt founds the presence of the substandard status of women in this culture, a status that Janie must reverse, in some way, in order to surface as a heroine. Despite this obstacle, Janie refuses deterrence from attaining her dream. In â€Å"Their Eyes Were Watching God†, Zora Neale Hurston reveals the importance of gender roles and their place in African American culture during the 1930s. In Chapter 6, Hurston displays the importance males exhibiting superiority their female partners and their attempts to force them into roles of subservience. In this chapter, Joe Starks attempts push Janie into a passive role by hushing her in conversations, physically abusing her in their home, and handling her as an item in his possession. The author establishes this early in the novel to serve as a catalyst for Janie to make the decision that her personal growth and development as a strong woman will only materialize when she escapes the mold into which Joe has forced her. Hurston exhibits that Janie should be allowed to have the right to do what white women do on a constant basis; perch on high stools on their porches while relaxing. â€Å"Everybody was having fun at the mule-baiting. All but Janie† (Their Eyes Were Watching 56) demonstrates the way Joe stresses that Janie give the impression that she is living the white womans dream of relaxing at home and being civilized, as that is the role dictated by her gender and because it promotes the his portrayal as a powerful leader of the town. Even when Janie pleads, â€Å"Taint nothin so important Ah got tuh do tuhday, Jody. How come Ah cant go long wid you tug de draggin-out?† (Their Eyes Were Watching 60) confirms her desire to abandon the preset, generalized roles of gender that women faced during this period. Janie wishes to forge her own path and do what brings her personal satisfaction as a woman and not what the perception of contentment is for all women. Janies idea of pleasure, ho wever, is not present in the old-fashioned roles that the women of the 1930s were expected to accept. Later in the chapter, we read, â€Å"Here he was just pouring honor all over her; building a high chair for her to sit in and overlook the world and she here pouting over it!† (Their Eyes Were Watching 62). Joe does not seem to grasp that satisfying Janie does not include giving her a life that mimics that of a white womans. Instead, Janie would rather immerse herself into her own culture, celebrating the essentials that are intrinsic to being a black woman. Unfortunately, Joe either cannot or will not fulfill this for her, thus she elects to entertain the company of Tea Cake, who seems to gain happiness from partaking in lifes simpler pleasures, such as singing, storytelling, dancing and fishing—including Janie in his activities. All the way through the novel, we continue to witness the outward display of the superiority that men feel over women. If their spouses do not obey or follow the strict roles of gender, it is commonplace for them to endure beatings, not unlike the mule in chapter six. Even something as small as an undesirable meal, could result in physical abuse. Many men believe that women are in need of guidance in every aspect of their lives, needing instructions for basic tasks on a consistent basis. This sentiment solidifies the belief of the male gender that their sex is greater and superior over women. Many men feel that women are completely ignorant and need men to tell them what to do all of the time; a sentiment that adds fuel to them feeling their gender is greater to their female counterpart. In chapter six Janie objects, â€Å"You sho loves to tell me whut to do, but Ah cant tell you nothin Ah see!† He responds, â€Å"Dats ‘cause you need tellin, It would be pitiful if Ah didnt. Somebody got to think for women and chillun and chickens and cows. I god, they sho dont think none theirselves† (Their Eyes Were Watching 71). Here, Joe alludes that women have brainpower akin to a chicken or clumsy cow and that they should embrace their roles as the lesser mate. Eventually, Janie escapes her traditional female mold of speaking only when spoken to and obeying mindlessly. She finally finds her voice at the end of chapter six when she says to Joe, â€Å"Sometimes God gits familiar wid us womenfolks to and talks His inside business. He told me how surprised He was†¦and how surprised yall is goin tuh be if you ever find out you dont know half as much ‘bout us as you think you do. Its so easy to make yoself out God Almighty when you aint got nothin tuh strain against but women and chickens† (Their Eyes Were Watching 75). Janie communicating with Joe in this fashion serves to inform Joe that she believes that God speaks to both sexes equally. She is standing up to the leader of the town. Janie wants Joe to understand that he is not the god of the town because she too can be in touch with God. In addition, she wants Joe to know that she is aware that his gender does not make him a supreme being over her or any woman. This marks a both an evolution and revolution for Janie as a character. We now begin to see her inner thoughts. She is now prepared to battle for her equality and liberation. By the chapters conclusion, we witness a woman refusing to allow men to continue to silence and demanding equal treatment. Janies metamorphosis from a passive woman to one wishing to take an active role in shaping the rights and duties of the female gender is established. â€Å"She knew now that marriage did not make love. Janies first dream was dead, so she became a woman† (Their Eyes Were Watching 24). No longer afraid to challenge her grandmothers staunch expectations, Janie realizes that her grandmothers archaic views of the role of women as pathetic and weak beings with the inability to survive without male protection—even with the absence of love in the relationship, represent boundaries on her full potential. She loathed her grandmother. â€Å"†¦ Nanny had taken the biggest thing God ever made, the horizon† (Their Eyes Were Watching 85-86). Still, Janie is undaunted and follows her to follow her instincts, including leaving her first husband and marrying her second one, in the absence of a divorce. â€Å"Janie hurried out of the front gate and turned south. Even if Joe was not there waiting for her, the change was bound to do her good† (Their Eyes Were Watching 31). The blather and gossip that permeates her small town when she takes a younger man and leaves with him, after being left a widow following the death of her second husband, does not hinder her path even slightly. The happiness she finds in her relationship with Tea Cake is that much sweeter as she has made the decision to go through it alone. Janies moment of personal triumph is â€Å"Discovering the two things everybodys got to do fuh theyselves,† (Their Eyes Were Watching 183). â€Å"They got tuh go tuh God, and they got to find out about livin fuh theyselves,† are the sentiments Janie shares at the end of her journey (Their Eyes 183). Hurston has depicted a female character as an evolving heroine, an architect of her own destiny, and one who has a full grasp on navigating the voyage to self-awareness. Says Mary Helen Washington in the Foreword of Their Eyes Were Watching God, â€Å"†¦for most Black women readers discovering Their Eyes for the first time, what was most compelling was the figure of Janie Crawford powerful, articulate, self-reliant, and radically different from any woman character they had ever before encountered in literature. Janie Crawford is defiant; she defies men, but most importantly, she defies our own preconceived notions of what the role of an African-American woman should be in modern literature.† The definitions and roles of gender for both male and female characters were clear in the 1930s. Janie is symbolic of many women today in her refusal to accept the preconceptions about her duties and abilities. In the 21st century, the majority of men have learned, though some reluctantly, to accept and appreciate the equal abilities and thoughts of modern women and Hurston had the foresight to give women a voice that had previously been silent in literature.