Screen Adaptations of Classic Literature Should Always Remain True to The Details of The Original Novel. :: essays research papers

There are many a nonher(prenominal) issues involved with adapting a classic novel for the small screen, but in all likelihood the most important of these is the degree of patrioticty the adaptation should fixate with the pilot film novel. For a director it is around impossible to remain perfectly loyal to the novel. For instance,around the time of the first director, David Lean, filmmaking had not advanced to such a symbolise for it to be possible to, as shown in the check, animate the roots of a tree to look like dead peoples hands. some other problem in directly adapting the novel is that there is simply not enough time to include all the details of a accommodate into a small length of time. Many directors today find this knotty and have to resort to leave out large, but usually unneeded, part of the novel.The first adaptation of neat Expectations was directed by David Lean. Shot in 1946 this adaptation was in glorious black and white. It would have been possible to t eem the adaptation in colour, but possibly budget issues might of occurred as colour filming was a new innovation and still quite an expensive.The adaptation starts with the view of a large, leather-bound book entitled, Great Expectations. The book opens and a voice over reads the first few lines describing the character take. The voiceover is obviously a grown-up Pip reading. Wind sound effects are heard and the books pages are blown over and over until the scene fades to Pip running into the memorial park.The rest of the scene remains true to the book almost exactly. The lighting is dark, to portray the time of dusk and this gives the scene a mystify feel because you cant quite see all of the set.Close-up shots and over-the-shoulder shots are use to portray Pips and Magwitchs feelings. Panning shots are also sometimes used, not only to show the surroundings, but to also convey how the graveyard is getting darker.In conclusion, David Lean took the faithful to the book route whe n he directed the adaptation of Great Expectations. The next adaptation was drected by Julian Amyes in 1981. Between Leans adaptation and Amyes adaptation, there had been immeasurable stage performances of Great Expectations. This mean that most of the population knew of the story of Great Expectations. To ensure that Ames adaptation went down in history and wasnt forgotten, Amyes had to make a few changes to the story.