How the Characters in Much Ado About Nothing Learn to Love Essay

How the Characters in such(prenominal) hustle Ab step up Nothing Learn to Love The title of Shakespeares often flimflam closely Nothing has sparked scholarly debates active its meaning for centuries. both(prenominal) say it is a play on the term noting, revolving around the ascendant of all sorts of deceptions by all sorts of appearances (Rossiter 163). Others claim it has more to do with everyone do a fuss about things that turn out to be false, therefore, nil (Vaughn 102). Regardless of these speculations, there is something rather profound going on in the play that is worth making a big deal about four characters in the play contain about cut, and eventually, how to love. The four characters that learn the art of love are Beatrice, Benedick, Claudio and booster. From the first viewing/ leading of the play, Claudio and Hero seem to be the main focus. However, looking deeper into the entire play, and/or if you read any scholarship on Much Ado closely Nothing, the unfeigned fascinating plotline involves Beatrice and Benedick. The main difference between these two couples involves how they learn the art of love. At the beginning of the play, Claudio is the first one out of all the lovers to evoke his affections for someone else however, he seems to have the weakest grasp on the concept of love compared to everyone else. Claudio hints of his growing feelings for Hero when he asks Benedick what he thinks of her (I.i.161). Benedick, who has a vainglory for marriage, is not very helpful to Claudio. However, he does manage to draw out of Claudio the reason for his inquiry In mine eye, she is the sweetest lady that ever I lookd on (I.i.188). This first glimpse into Claudios centre reveals mostly shallowness. His first words... ...ial Identity and Masculinity in Much Ado About Nothing Upstart Crow 16, (1996) 31-47. Much Ado About Nothing. Directed by Kenneth Branagh. Samuel Goldwyn Company and Renaissance Films, 1993. Much Ado About Nothin g. The Riverside Shakespeare, 2nd ed. Boston Houghton Mifflin Co., 1997. 366-398. Prouty, Charles A. The Sources of Much Ado About Nothing. freshly York Books for Libraries Press/Yale University Press, 1950. Ranald, Margaret Loftus. As Marriage Binds, and Blood Breaks English Marriage and Shakespeare Shakespeare Quarterly 30, (1979) 68-81. Rossiter, A.P. Much Ado About Nothing. William Shakespeare Comedies & Romances. Ed. Harold Bloom. unexampled York Chelsea House Publishers, 1986. Vaughn, Jack A. Shakespeares Comedies. New York Frederick Ungar Publishing Company, 1980