Bram Stoker's Dracula Compared to Mary Shelly's Frankenstein Essay

Bram Stokers Dracula Compared to Mary Shellys Frankenstein - Essay Exampleaim being awarded to Shelley, who pioneered in brining a literary concept to light, which was initially an unchartered territory for most authors as she have elements of Goth and Horror with that of science fiction.Although, Dracula and Frankenstein are essentially from the same genre with some imbrication heads, but the concept and the depiction of themes contain some stark dissimilarity as well. The substance of this prose impart delve into each of the aspects one by oneDracula and Frankenstein both entailed a similar theme about life, death and resurrection. Both creatures possess a strong fascination for the human world, which drives Frankenstein to read books by eminent authors, whereas Dracula reads English magazines to gain a deeper understanding of the human world. This is the prime reason as to why both Dracula and Frankenstein are grapplen to have sophisticated intellect and are clear of making conversation on any subject, which adds to Draculas charisma in the society, but doesnt help Frankensteins case because of his horrifying appearance. In fact the lusus naturae created by Frankenstein had grown dispirited of his life and expressed it in the following wordsCursed, cursed creator Why did I have it away? Why, in that instant, did I not extinguish the spark of existence which you had so wantonly bestowed? I know not despair had not yet taken possession of me my feelings were those of rage and revenge (Shelley, 2004, p. 137)Moreover, the stories are refer on the same theme that involves a group of men trying to eliminate a monster that is nothing but scourge for the society. Besides the character, the literary technique used to project the story is as well as quite similar as both authors wrote their novels in an epistolary form in simpler word, the story is told by dint of the correspondences of the main characters with each other. However, it is a clear indicatio n that the entire story is told from a one-sided view of the protagonist